![]() In any case, the show had a resilience that no one back then could have predicted. Walter Kerr of The New York Herald Tribune also said both positive and negative things, while some of the other New York papers raved. “All we could hear, any of us, were the bad parts,” Mr. They came in around midnight Word Baker, the director, related them to the assembled group, beginning with the mixed review from Brooks Atkinson in The New York Times. Jones wrote that the opening-night performance, attended by critics, was rocky, and at the after-party all involved awaited the reviews with trepidation. ![]() He said he didn’t use his own name because he wanted to head off accusations that “The Fantasticks” was a vanity production. It also included, in a smaller role, one Thomas Bruce - who was actually Mr. ![]() It was a big-cast production that included a small squadron of dancers. Robb called that show, which was loosely based on a comedy by the French playwright Edmond Rostand, “Joy Comes to Deadhorse,” and in 1956 they staged it at the University of New Mexico, where Mr. Jones got out first and tried his luck in New York, failing to find work as a director but writing for the revues being staged by the impresario Julius Monk and fiddling with a musical with another composer, John Donald Robb. They kept in touch after graduating, writing songs together by mail after they were drafted during the Korean War. Schmidt studying art but indulging his musical inclinations on the side. Jones in the drama department’s directing program, Mr. Jones and his frequent collaborator, Harvey Schmidt, first worked together when they were students at the University of Texas - Mr. His son Michael said the cause was cancer. Tom Jones, who wrote the book and lyrics for a modest musical called “The Fantasticks” that opened in 1960 in Greenwich Village and ran for an astonishing 42 years, propelled in part by its wistful opening song, “Try to Remember,” died on Friday at his home in Sharon, Conn. ![]()
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